To celebrate the 50th anniversary of Lola Versus Powerman And The Moneygoround Part One, the newly remastered album is out now - Order yours now [ Ссылка ]

Available as a Deluxe 10” slipcased book pack (containing 60 page book, 3 x cds, 2 x 7” singles, 4 x colour prints) and on black heavyweight gatefold vinyl, 2CD and 1CD formats.

Lola Versus Powerman and the Moneygoround, Part One, commonly abbreviated to Lola Versus Powerman, or just Lola, is the eighth studio album by The Kinks, recorded and released in 1970. A concept album ahead of its time, it’s a satirical appraisal of the music industry, including song publishers, unions, the press, accountants, business managers, and life on the road. One of the all-time classic Kinks albums.

Although it appeared during a transitional period for The Kinks, Lola Versus Powerman was a success both critically and commercially for the group, charting in the Top 40 in America and helping restore them in the public eye, making it a "comeback" album. It contained two hit singles: ‘Lola’, which reached the #9 US, #2 UK and Germany - becoming the Kinks' biggest success since ‘Sunny Afternoon’ in 1966 - and ‘Apeman’, which peaked at #5 in the UK and Germany.

Ray says: “The album is a celebration of artistic freedom (including my own) and the right for anyone to be gender free if one wishes. The secret is to be a good and trusting person and friend.”

Ahead of its time, the track ‘Lola’ was written by Ray Davies in early 1970 and recorded at Morgan Studios in London. The track supposedly tells the romantic tale between a young man and a transgender person whom he meets in a club in Soho, inspired by an alleged encounter by the band’s manager. Released with Village Green Preservation Society outtake ‘Berkeley Mews’ in the UK and the Dave Davies-penned ‘Mindless Child of Motherhood’ in the US, the iconic hook has been sung around the world for decades.

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