Tackling an amplified 1940s silhouette—sculpted shoulders, nipped-in waists—Matthew M. Williams worked the fabrication and surface decoration of every garment to inextricable degrees, turning up the impact factor of looks so you could literally see the details from across the arena. Scanty bloomers erupted in unyielding ruffles; column dresses were encrusted with thick, rustling mega-sequins; and bolstered bolero jackets took shape through dense micro-plissé structures. “The pieces are really, really worked and complex,” said Williams.
Williams collaborated with New York artist Josh Smith, interpreting his semi-abstract paintings through his own textural lens, working motifs of containers painted with clowns and words into the surface of his signature vulcanized jeans, or those of scary balloon smileys into ripped leggings. “Josh has a much different aesthetic than I have: lots of colour and brightness. It was a nice opportunity to emerge out of my comfort zone and explore a new space,” said Williams.
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Givenchy Spring/Summer 2022 | Full Show
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