The can-can is a high-energy dance that originated in the working-class dance halls of 19th-century Paris, France. It became popular in the 1840s and was performed primarily by women dancers in a chorus line.

The origins of the name "can-can" are unclear, but some suggest it may have come from the French word "cancaner," which means to gossip or chatter. Others believe it may have been derived from the word "canard," which means duck or hoax, and was used to refer to the provocative and scandalous nature of the dance.

Initially, the can-can was performed in dance halls and cabarets by prostitutes and other working-class women. The dance was considered scandalous and provocative because of its high kicks, flashing of petticoats, and suggestive movements.

Despite its controversial nature, the can-can quickly became a popular form of entertainment in Paris and beyond. The dance was soon performed in theaters and music halls throughout Europe, and eventually made its way to America.

As the can-can grew in popularity, it became more stylized and choreographed. The dancers began to wear elaborate costumes featuring ruffled skirts and petticoats, which accentuated the leg movements and added to the visual spectacle of the dance.

Today, the can-can is often associated with French cabarets and has become a symbol of Parisian culture. While it has evolved over time and taken on many different forms, the can-can remains a lively and energetic dance that continues to captivate audiences around the world.

The music for the can-can dance is from the operetta "Orpheus in the Underworld," which was composed by Jacques Offenbach. The can-can first appeared as a dance sequence in the second act of "Orpheus in the Underworld," which premiered in Paris in 1858.

The lively and catchy tune that accompanies the can-can dance is known as the "Galop Infernal," which translates to "Infernal Galop" in English. It's one of the most recognizable pieces of music associated with the can-can and has been used in many films, television shows, and other forms of popular culture.
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