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Few albums manage to evoke a time and place with such startling effect as 'Leave the Bones', the unlikely collaboration between the multi-generational Haitian band Lakou Mizik and Grammy-winning electronic music artist Joseph Ray. Out today, the album has garnered support from global tastemakers NPR, The Times, BBC Radio 1, BBC Radio 3, BBC 6 Music, KCRW, KEXP, CRACK, Afropunk, Songlines, Worldwide FM, and many more.

Originating from a chance encounter between Ray and Lakou Mizik in Haiti in 2015, 'Leave the Bones' paints a musical portrait, a fresh glimpse of an oft misrepresented country. Through Vodou chants, chest-pounding Rara dance tunes and contemporary protest songs, the record conveys the listener to Haiti’s spiritual heart, a place that remains a compelling mystery for foreigners and a source of pride for every Haitian.

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Tracklist:
1. Sanba Yo Pran Pale
2. Kite Zo A
3. Night Drums
4. Lamizè Pa Dous
5. No Rival!
6. Ogou (Pran Ka Mwen)
7. Zeb Atè
8. Bade Zile
9. Nou Tout Se Moun
10. Boukman O’
11. Simbi Nan Dlo

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• “For those of us who long to travel once the world gets back to normal, albums as multilayered as this are just about the next best thing.” - The Times

• "A mesmerizing, haunting and uplifting journey into the heart of Haitian culture." - NPR

• "A beautiful deep dive into Haitian culture, and a very interesting twist with Joseph Ray being involved as well." - Anne Litt, KCRW

• "The stirring new track, entitled Ogou (Pran Ka Mwen), hints to what the rest of the LP will entail." - CRACK Magazine

• "It’s powerful to imagine these tracks being played on dancefloors in Miami, London, or Ibiza, transporting people from around the world, inviting them to dance, celebrate, and get lost in the richness of Haiti, if only for a moment."- AFROPUNK

• “Celebrates creativity and possibility in the face of adversity” - Mixmag

• “Message-driven, lovingly made, this is an album to play on repeat.” - Songlines

• “An album that exposes the richness of the musical culture of the Antilles to the entire planet.” - Le Devoir

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