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PATCH NOTES

The Minibrute 2S is playing a fixed 32-note sequence but the rhythm is semi-random. The SYNC-IN of the Minibrute is connected to a S&H, which allows me to control note density (attenuating the S&H output gives a smaller probability of getting a sequence trigger). The S&H is synced to the BitRanger's CLOCK-OUT, while the BitRangers CLOCK-IN is connected to the SYNC-OUT of the Minibrute, coming around full circle :) In practice the BitRanger's clock sync in is making it sync up to the random sequence being output by the S&H.

The BitRanger oscillators are being run through a DIY LPG, which is triggered by a short click from the Minibrute's ADSR envelope. The stereo output from this goes into the NTS-1 where it's processed by a custom delay effect (ARRRH, can't find the download link to this) as well as Reverb & Resonator effects. This goes into the mixer on a stereo channel, creating these panning clicks and clacks which are kind of, but not completely synced to the Minibrute.

The bass drum is from an 8038 Oscillator + Wavefolder on the rack itself. The envelope for the drum is generated every 8 notes from the Minibrute (I use an envelope generator with inbuilt clock divider, very handy!). Since the brute is going off at random this clock divisions ensures that beats from the drum are almost evenly spaced (but not completely!).

Last but not least the 2 Oscillators on the Minibrute are playing a melody and a tintinabulli voice being generated by the Monome Crow.

Everything is run to the mixer, where I'm using the USB out as an AUX send to my PC, where it feeds into virtual Clouds inside VCV Rack and gets sent back to the AUX3 on the mixer. The reverb is the stock reverb on the ZED (which I'm liking quite a bit). Everything recorded live from mixer into the Zoom H4N then processed (EQ, compression and limiting) on Audition.

Hope you enjoyed!

HARDWARE
Arturia Minibrute2S
Bastl Instruments BitRanger
Eurorack Modular
Allen & Heath ZED 12FX
Zoom H4N Pro

SOFTWARE
Adobe Audition
VCV Rack

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