The Presto from Vivaldi's Concerto for solo baroque violin and strings in G Minor, "Summer" (L'Estate, RV 315), performed by Cynthia Miller Freivogel and the Early Music ensemble Voices of Music.
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A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music.
Q. Why is the pitch lower, or higher?
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Vivaldi's brilliant concerto is here presented complete in 4K, ultra high definition video, performed on original instruments. For this video, a new edition was prepared from the original sources, prints and manuscripts for Vivaldi's music. Voices of Music is creating a worldwide digital library of music videos, recordings and editions, free for anyone in the world. To support this vital project, which will enable new generations of people all around the world to enjoy Classical music, please consider a tax-deductible donation or sponsor a recording
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In the concluding Presto, the stormy, minor-key ritornello provides a sharp contrast to the exuberant, virtuosic episodes from the solo violin. The solos are leavened with sustained double stops, which continue the rustic affect introduced in both the music and sonnet for "Spring," in imitation of the pastoral "Zampogna", or bagpipe.
Voices of Music continues our groundbreaking work as a pioneer in the new field of Ultra-High definition video. Although the Four Seasons is the most recorded work in Classical music, this is the first time that the work is made freely available in this format, and performed on period instruments. Your donations will keep the presses running!

Voices of Music
Hanneke van Proosdij & David Tayler, directors
Cynthia Miller Freivogel, baroque violin by Johann Paul Schorn, Salzburg, Austria, 1715
Lisa Grodin, baroque viola by Mathias Eberl, Salzburg, Austria, 1680Katherine Heater, baroque organ by Winold van der Putten, Finsterwolde, Netherlands, 2004, after early 18th-century northern German instruments
Kati Kyme, baroque violin by Johann Gottlob Pfretzschner, Mittenwald, 1791
Carla Moore, baroque violin by Johann Georg Thir, Vienna, Austria, 1754
Maxine Nemerovski, baroque violin by Joseph Gaffino, Paris, 1769
Farley Pearce, violone by George Stoppani, Manchester, 1985, after Amati, 1560
Hanneke van Proosdij, Italian single manual harpsichord by Johannes Klinkhamer, Amsterdam, 2000, after Cristofori, Florence, c1725
Elisabeth Reed, baroque cello, anonymous, 1673
William Skeen, five string baroque cello, Anonymous, Italy, c1680
David Tayler, archlute by Andreas von Holst, Munich, 2012
after Magno Tieffenbrucker, Venice, c1610
Gabrielle Wunsch, baroque violin by Lorenzo Carcassi, Florence, Italy, 1765

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