Halloween is coming! With horror movies flooding Netflix, it’s the perfect time to learn how to write spooky soundtrack music, like the creepy new American Horror Story 1984 theme song.
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INTRO
If you’re watching the new season of American Horror Story, then you’ll have noticed that their creepy theme song has had an update, or rather a backdate. Just like Stranger Things, American Horror Story has taken us back to 1984, and their theme song perfectly reflects that with its lush synthesizers and big drums, all swimming in an ocean of reverb. Now, if you haven’t been watching, then you’re probably wondering: How can ‘80s music sound scary? Well, it’s all in the music theory! So, here are the two theory secrets that make the American Horror Story melody spooky.

SECRET 1. THE ♭6
The ♭6 injects mystery into a melody, especially when it’s played over the top of your root note (which can be played in the bass). To hear this in action, simply play a high G over a low B root note. On that note, the American Horror Story theme song is in the key of B minor (B C♯ D E F♯ G A), so we’ll use it too. Now, unsurprisingly, the mysterious ♭6 also turns up in the X-Files theme song. So, the ♭6 is one semitone above the 5, and both X-Files and American Horror Story set up the ♭6 by playing the 5 before it, because the 5 sounds so normal that it makes the ♭6 even more mysterious.

MELODY CHECKLIST
If you want the ultimate list of dos and don’ts for writing great melodies, then use the Melody Checklist, which is in our Songwriting & Producing PDF. It also contains hacks on how to write chord progressions, bass lines, and all the other essential songwriting & producing hacks, as well as MIDI file examples. You can download it right now at the link above.

SECRET 2. THE ♭5
The ♭5 injects the horror into a melody, especially when it’s played over the top of your root note (which can be played in the bass). To hear this in action, simply play a high F over a low B root note. Now, if you’re thinking: “Whoa, that sounds out-of-key!”, then you’re right. The ♭5 is a non-diatonic note in the key of B minor, which means it’s not in the B minor scale. And unsurprisingly, the scary ♭5 turns up in every other horror movie soundtrack as well. Now, just like the American Horror Story melody emphasises that one semitone ascend from 5 to ♭6, it does exactly the opposite at the end of the melody, where 5 descends one semitone to the creepy ♭5.

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ABOUT
Hack Music Theory is the fast, easy and fun way to make music. Taught by award-winning music lecturer Ray Harmony, and his protégé wife Kate. Ray has been teaching music theory for 25 years, and along the way he's made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), and many more!

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Revolution Harmony is Ray Harmony & Kate Harmony
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