It is common opinion that musicians play a musical instrument. The real truth instead is said as usual by the grubbing up leverage of the inversion. We are the instruments, while strings, reeds, soundboards, bow and keys are the source of heat, the energy network to which, as if we were cotter, we connect, a different voltage for each note.
We are not inspired by music. We atone music.

Prismatic GLASS is a series of my performances of Philip Glass' piano music, where the focus is the combinatorial aspect of the musical writing. These are pieces where the perception of the ductus is solicited, instead of lyricism and emotional contemplation, by procedures with a clear counterpoint and replicative progress. Not development, but refraction.

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