In her private album, the actress Marisa Berenson describes a pivotal moment in the early career of her grandmother Elsa Schiaparelli. It was 1927, and Elsa was admiring a friend’s sweater. Upon learning it was made by some Armenian knitters, she tracked them down and commissioned a sweater of her own, which, Berenson writes, “she specified should look like the primitive drawing of a child in prehistoric times.” That piece, with its deliberately imperfect trompe l’oeil bow and its surrealist, offbeat humor, was an immediate sensation, and Elsa’s first signature hit.

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