#history, #noorjahan, #hindustan
In this video you will watch about: Mehr-un-Nissa, Queen Nur Jahan or Malka Noor Jahan, History of Noor Jahan, amazing Story of Jahangir,
The #fascinating #story of the #Mughal #Queen #NoorJahan / #Nur-e-Jahan (1577 – 1645) by #Baithak
Jahangir's wife Nur Jahan, real name of nurjahan?, Who is Noor Jehan?,
Nur Jahan (born Mehr-un-Nissa) (31 May 1577 – 17 December 1645) was Empress consort of the Mughal Empire from 25 May 1611 to 28 October 1627 as the eighteenth (and last) wife of the Mughal emperor Jahangir. She was also his most beloved and influential wife and acted as his chief consort and Padshah Begum, officially from 1620–1627, after the title's previous holder, Saliha Banu Begum (the Padshah Begum for most of Jahangir's reign), died in 1620.
Nur Jahan was born Mehr-un-Nissa, the daughter of a Grand Vizier (Minister) who served under Akbar. Nur Jahan, meaning 'Light of the World', was married at age 17 to a Persian soldier Sher Afgan, governor of Bihar, an important Mughal province. She was a married woman when Prince Salim (the future Emperor Jahangir), Akbar's eldest son, fell in love with her. Two years after Akbar died and Salim became Emperor, Sher Afgan met his death. However, three more years were to pass before a grieving Nur Jahan consented to marry the Emperor Jahangir. Although Jahangir was deeply in love with Nur Jahan, their actual story bears no resemblance to the entirely fictional legend of Anarkali, a low-born dancing girl who, according to popular folklore and film-lore, had a tragic and doomed love affair with Jahangir. In fact, the relationship between Jahangir and Nur Jahan was even more scandalous in its time than the legend of Anarkali, for Nur Jahan was a married woman when the Emperor fell in love with her.
After the wedding, Nur Jahan quickly gained ascendency over her husband. A strong, charismatic and well-educated woman who dominated a relatively weak-minded husband, Nur Jahan was the most powerful and influential woman at court during a period when the Mughal Empire was at the peak of its power and glory. More decisive and pro-active than her husband, she is considered by historians to have been the real power behind the throne for more than fifteen years. Nur Jahan was granted certain honours and privileges which were never enjoyed by any Mughal empress before or afterwards.
The Tomb of Nur Jahan is a 17th-century mausoleum in Lahore, Pakistan, that was built for the Mughal empress Nur Jahan. The tomb's marble was plundered during the Sikh era in 18th century for use at the Golden Temple in Amritsar. The red sandstone mausoleum, along with the nearby tomb of Jahangir, tomb of Asif Khan, and Akbari Sarai, forms part of an ensemble of Mughal monuments in Lahore's Shahdara Bagh.
The tomb was built on a podium, in the takhtgah style in which the podium serves as the takht, or "throne." With a platform measuring 158 square feet, the tomb is in the shape of a square and measures 124 feet on each side, and is 19.6 feet high. Minarets may previously have risen from the corners of the mausoleum, similar to the nearby Tomb of Jahangir.
Exterior
Unlike her father's tomb (tomb of I'timād-ud-Daulah), which was constructed in white marble, Nur Jahan's mausoleum is primarily clad in red sandstone, with a flat roofline similar to that of her husband's tomb. The exterior features 7 vaulted arches, which were covered with marble and wrought with flower mosaics in semi-precious stones. The central arch on each side protrudes out from the 3 flanking vaulted arches. Minute paneling was executed in intricate patterns and cornices are honeycomb shaped in several rooms. The inner floor is covered with marble and the outer platform with sandstone. The exterior, encased in red sandstone, was inlaid with floral motifs in addition to white, black and yellow marble. Turtle
Interior
The central vaulted chamber of the tomb contains a marble platform with two cenotaphs, one that commemorates Nur Jahan and the other to commemorate her daughter, Ladli Begum. Built by Hakim Ajmal, Khan of Delhi in 1912, the original marble sarcophagus bears ornate workmanship and the name of Allah, in the same style and size as seen in the tombs of Jahangir and Asif Khan. On her tomb is inscribed an epitaph: "On the grave of this poor stranger, let there be neither lamp nor rose. Let neither butterfly’s wing burn nor nightingale sing".
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