Melancholy was such a widespread ailment in the Renaissance that it prompted extensive medical treatises that delved into its causes. In music, the best example of the importance of this emotional imbalance was the instrumental collection Lachrimæ, or Seaven Teares, composed by the English lutenist John Dowland in 1604.

John Dowland (ca. 1563-1626)
Lachrimæ "Seaven Teares"
00:00 Mrs. Nichols Almand
01:07 Lachrimæ Antiquæ
04:34 Lachrimæ Antiquæ Novæ
07:36 M. Nicholas Gryffith his Galiard
09:21 Sir John Souch his Galiard

10:42 Lachrimæ Gementes
14:08 Lachrimæ Tristes
17:42 M. Giles Hoby his Galiard
19:01 The King of Denmarks Galiard

20:47 Lachrimæ Coactae
23:48 Lachrimæ Amantis
27:27 M. Thomas Collier his Galiard with two trebles
28:42 M. Bucton his Galiard
30:00 The Earle of Essex Galiard

31:11 Lachrimæ Verae
35:04 Semper Dowland semper Dolens
40:33 Captain Piper his Galiard
41:50 M. Henry Noell his Galiard

43:34 Sir Henry Umptons Funerall
47:28 M. George Whitehead his Almand
49:10 M. John Langtons Pavan


Phantasm (Laurence Dreyfus, viola da gamba soprano and direction. Emilia Benjamin, viola da gamba soprano. Heidi Gröger, viola da gamba tenor. Margin Jantzen and Markku Luolajan-Mikkola, bass viola da gamba) with Elizabeth Kenny, lute.

Concert "Lachrimae" from the cycle "Nostalgias".
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9 March 2024
Fundación Juan March, Madrid

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