Official site: [ Ссылка ]
Australian Dealers : [ Ссылка ]

There's a lot to love about the MS-50G. You could start with the vast selection of great effects on offer - about 55 of them; then there's the size, tweakability, it's stereo... The list goes on. Not least is the fact that the MS-50G can be used as 1. A regular stompbox; 2. an amp substitute (direct to board application) complete with effects and noise gates; 3. a general multieffect.

Zoom have been in the business a LONG time. Long enough to perfect their sounds, approach, software and hardware departments. This longevity and commitment to perfection has recently manifested itself in products like the MS-50G, A3 Acoustic DI and G5 Multieffect. So if you're not fussed about pricey 'boutique' gear but you do want a complete and very well made all-round solution that offers much more value for money, I recommend you investigate.

This demo deals primarily with the amp models on offer in the MS-50G. For the purposes of an unadulterated clean sound I've run the MS-50G directly to Pro Tools via an Mbox 3 Pro. No plugins were added in Pro Tools except a Limiter (Waves L3-16) at the Output, just to keep levels in check.

Further videos will explore the MS-50G's prowess as a regular effects stompbox and also a general overview (see [ Ссылка ]).

Many thanks to Bruce and Greg at Dynamic Music, Australia, for their assistance and correspondence help on behalf of Zoom, Japan.

Recording gear:

Guitar : Ernie Ball Music Man 2009 Axis (stock)
Amp: Zoom MS-50G (direct to Mbox 3 Pro)
Cables : Providence
Mic : Samson Airline77 (my voiceover headset)
Camera : Canon 60D (me) and Sony HDR CX150 (MS-50G)
Soundcard : AVID Mbox Pro 3
Computer : Apple iMac 27" i7 3.4 GHz 16 GB RAM
Software : Pro Tools 10 LE, Waves L3-16 Limiter (to keep levels in check at output), Apple Final Cut Pro X (video editing and Youtube compression).

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