In this video, the second in a series on Surrealism and cinema, I provide an analysis of the film Un Chien Andalou (Luis Bunuel and Salvador Dali, 1929), perhaps the most well-known and influential film associated with the Surrealist art movement. After providing a brief introduction to the film, I examine the film's narrative conventions in the context of surrealist art conventions, paying close attention to the film's anti-narrative logic and dream logic.

свернуть