Sunday, 27 November 2022. Tickets: €15/€12 👉 [ Ссылка ]
Concertina player Niall Vallely will collaborate with Kate Ellis on cello and Kenneth Edge on soprano sax at the National Opera House, Wexford, composing and performing a new series of pieces entitled Bearna which translates as a gap or space. The trio will explore the musical concepts offered by spaces that exist in between different genres of music and people's varied musical perspectives.
Niall Vallely
Over the years Niall Vallely has developed a unique approach to playing the concertina and his compositions have gained widespread acclaim both within the world of Irish traditional music and further afield. A resident of Cork since 1988, Niall completed a degree in music at UCC in 1992 and a PhD in composition in 2018. He has toured throughout the world, recorded on over 50 albums, and his tunes have been recorded on more than 80 albums. He has received commissions from RTÉ lyric FM, BBC, TG4, Cork Opera House, Crash Ensemble, University College Cork, Kate Ellis, Dún Laoghaire Rathdown Council, and the Vanbrugh Quartet and has had his works broadcast on radio and television in Ireland, the US and throughout Europe. Niall has also been involved in arrangement projects with artists including Lúnasa, Iarla Ó Lionáird, Donal Lunny, Karan Casey, the Boston Pops Orchestra and the RTÉ Concert Orchestra.
Kate Ellis
Kate Ellis is a versatile musician dedicated to the performance and exploration of all new music. She is cellist and Artistic Director of Crash Ensemble, Ireland’s leading new music group, and a member of Francesco Turrissi’s Taquin experiments, Yurodny, Ergodos Musicians and the electro-folk group Fovea Hex.
Kate has toured and broadcast in Australia, the USA, Europe and China, performing at Carnegie Hall and the Kennedy Centre, the Canberra International Music Festival, Bang on a Can Marathon (NYC), Town Hall NYC, Shanghai EXPO, Istanbul Akbank Jazz Festival, soundSCAPE festival (Italy), Huddersfield International Contemporary Music Festival, Edinburgh International Festival, Royal Opera House, Barbican Centre, Kings Place (UK) and the National Concert Hall, Dublin.
Kate has collaborated with, commissioned, premiered and recorded works by numerous Irish and International composers including Steve Reich, David Lang, Michael Gordon, Nico Muhly and Donnacha Dennehy and continues to push musical boundaries performing with a diverse range of musicians including Martin Hayes, Bobby McFerrin, Iarla O’ Lionáird, Gavin Friday and Karan Casey, to name but a few.
In August 2014 Kate released Jump – an album of specially commissioned works by Irish composers for solo cello and electronics. The album was recorded as part of Diatribe Records musical project Solo Series Phase II, intended as a wide-lens portrait of Ireland’s new musical terrain.
Kenneth Edge
Saxophonist Kenneth Edge is one of Ireland’s leading and most innovative musicians. He studied with Sydney Egan in Dublin, John Harle in London and Jean-Marie Londeix in Bordeaux. He began his musical career by winning the ‘RTÉ Young Musician of the Future’ competition in 1983. He was the original saxophonist for Riverdance and solo clarinettists for the original Broadway production of Boublil and Schoenberg’s The Pirate Queen.
Kenneth’s saxophone playing has inspired many leading composers to write new works for him, including John Buckley’s Concerto for Alto Saxophone and String Orchestra and major works for saxophone by Raymond Deane, Benjamin Dwyer, Shaun Davey and Micheál Ó Súilleabhain. He is the featured saxophone soloist on two movie soundtracks by the great American film composer Elmer Bernstein: A rage in Harlem and The Grifters.
He composed the score for Coisceim Dance Theatre’s critically acclaimed production Touch Me, which premiered at the Project Arts Centre, Dublin in November 2011 and his 3 Études for Saxophone Quartet, played by The Chatham Saxophone Quartet was released on CD (RTÉ lyric FM label) in 2015.
Kenneth is a saxophone lecturer at the Royal Irish Academy of Music and received his Doctorate in Performance from the University of Dublin in 2021.
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