Pentax K-1 II vs Canon 6D II

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Pentax K-1 II

A couple of years ago, at the start of 2016, Ricoh finally answered the calls from Pentaxians for a full-frame DSLR with the arrival of the Pentax K-1. We were seriously impressed by the weatherproof, 36-megapixel K-1, which paired great ergonomics with a lengthy laundry list of features, some of them completely unique to this camera.

Two years down the line, the K-1 has now received a followup in the form of the Pentax K-1 II. If you're familiar with the earlier camera, you already know most of what you need to about its successor, as the two are near-identical in most ways. There are changes in just a few key areas.

So what's new? Well, most importantly the Pentax K-1 II now features the same accelerator unit which made its debut in 2016's Pentax K-70, and was also sighted in the 2017 model year Pentax KP. So what, exactly, does this new unit do? Ricoh has played its cards pretty close to its chest thus far, but we can make an educated guess that it's being used to assist the main PRIME IV-branded processor with denoising.

The reason we can draw that conclusion is that the Pentax K-1 II's performance is basically unchanged from that of its predecessor. Full-resolution, full-frame burst capture is still limited to a maximum of 4.4 frames per second, while the 15-megapixel APS-C crop mode has slowed ever so fractionally from 6.5 to 6.4 fps.

But while burst capture speed is unchanged, the K-1 II's maximum ISO sensitivity soars a full two stops beyond what the K-1 could manage. Just as did the sub-frame Pentax KP before it, the K-1 II offers everything from a minimum of ISO 100 to a maximum of ISO 819,200, but it does so with a much larger full-frame sensor, so we'd expect more of the high ISO range to be usable than was the case with the KP.


Canon EOS 6D Mark II

While familiar in appearance, the Canon 6D Mark II brings a lot of improvements over its wildly popular predecessor. At the heart of the 6D II is a new 26-megapixel sensor and a DIGIC 7 image processor. These combine for good image quality and impressive overall performance. However, in other ways, the camera feels like a missed opportunity. The dynamic range is disappointing and there is no 4K video. Ultimately, the 6D II is a good entry-level full-frame DSLR even if it feels like it could have been much more.

Pros:

Great vari-angle touchscreen; Dual Pixel CMOS AF; Good image quality in most situations; Impressive performance for its class.

Cons:

Disappointing dynamic range; No 4K video; Optical viewfinder comes up short; Narrow AF point coverage through viewfinder.

Five years later, the 6D Mark II has made its highly anticipated debut, and it addresses many of the shortcomings of the original, such as the AF system and burst performance, for example. In keeping with its heritage, the 6D Mark II is still Canon's affordable-class full-frame DSLR, sitting under the 5D Mark IV, and maintains a more compact and lightweight design, and of course, a more affordable price point. Plus, like its predecessor, the 6D II offers a few new features not currently available in a Canon full-frame DSLR.

At the heart of the camera is a Canon-designed and manufactured 26.2-megapixel full-frame CMOS sensor , offering a nice, but not extravagant resolution bump from the 20MP sensor of the original. The 5D Mark IV and 5DS R models, for example, still offer much more resolution, at 30MP and 50MP, respectively, but at 26MP, the 6D Mark II offers plenty of fine detail for large prints or flexibility for cropping for most situations and applications.

Paired with the new sensor is a DIGIC 7 image processor, the first 7-series processor in a full-frame Canon DSLR. In terms of the image quality improvements, in addition to pure resolution improvements thanks to the sensor, the new image processor helps the camera with high ISO performance. With a native ISO range of 100 all the way up to 40,000, the 6D Mark II is more powerful in low-light situations than the original model, which only offered up to a native ISO 25,600.

The large area of the full-frame sensor and latest-generation DIGIC processor of the 6D Mark II make it quite a solid low-light performer.


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