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In this video, you'll discover how to produce super-wide bass sounds without phase issues by using my three-part bass layering technique. My name is Philip from Pick Yourself, and I've created this channel to help electronic music producers like you make meaningful progress with their music.

Producing wide bass sounds without messing up the phase in your low end is a real challenge. I get it. If you're not doing this correctly, your tracks might sound weak in clubs and festivals because most speaker systems are multi-mono instead of stereo.

Now, here's the deal. Many electronic music producers follow a flawed approach of adding tons of unison to their bass sounds and then flipping the mono bass switch on a plugin. What barely anyone knows: This doesn't solve the underlying problem, and in this video, I'm peeling back the curtain to show you exactly why that is.

To help you produce super-wide bass sounds that have perfect phase alignment in the low-end but still sound incredibly wide, I'm sharing with you my tried-and-tested bass layering technique.

In this tutorial, I'll guide you through each step and the principle work in any DAW, whether you're working with Ableton Live, FL Studio, Cubase, or Logic. We'll tackle the nitty-gritty details of layering bass sounds while avoiding phase issues in the low-end.

If you're into Techno, House, or EDM, this technique is one of the best ways to get that super wide bass sounds you hear in songs by artists like Anyma on labels like Afterlife.

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